The Art of Manga display, that made its launching at the de Young Museum in San Francisco in 2015, shows up on the East Coast at the Brooklyn Museum. The collection of 658 art work on display screen is mainly the like the de Young variation, though bringing these pieces to a brand-new area was its own endeavor.
Presenting an early trip of the exhibition for press, show manager Nicole Coolidge Rousmaniere stated, “What Brooklyn has actually done is truly highlighted each of the artists in their own specific style, truly perfectly spacing it out, and I believe it’s the most immersive format they might have done. “
Speaking With Anime News Network, Brooklyn Museum manager Joan Cummins stated, “It’s nearly a similar program, however it’s in an extremely various area. We’re in a circa 1900 space today with these huge columns, and finding out how to make it suit this insane area that has 2 various heights and all that, that was challenging.” While San Francisco did the hard work of getting all the various artists and publishers on board with the display, the “difficult part” for bringing it to Brooklyn “was simply putting 658 things up on the wall in the appropriate order.”
© Hirohiko Araki & LUCKY LAND COMMUNICATIONS/Shueisha
One note Cummins obtained from the manga publishers about arranging the display? “You can’t put competing artists beside each other.”She decreased to elaborate on what competitions may be, though she hinted that rotating in between male and female artists was essential to preventing such disputes. For recommendation, the 8 primary artists showcased in the display are, in order, Rumiko Takahashi Jiro Taniguchi Mari Yamazaki Hirohiko Araki Fumi Yoshinaga Gengoroh Tagame Kazumi Yamashitaand Eiichiro OdaYou can make your guesses on who didn’t wish to be beside whom.
Another tough part in bringing Art of Manga to the Brooklyn Museum was persuading the remainder of the museum management to get on board. Numerous board members didn’t even understand what manga was, or puzzled it with anime, so Cummins– herself a manga neophyte– needed to do a great deal of informing. She confesses her very first brushes with manga while taking a trip in Japan weren’t the most favorable– “I seemed like whenever I opened a manga, it was type of misogynistic”– however she’s checked out a minimum of one volume of every series showcased in the exhibition and is especially a fan of series with historic settings such as Yamashita’s LandYoshinaga’s Ōokuand Takahashi’s MAO
© Fumi Yoshinaga/HAKUSENSHA, Inc.
There is at least one brand-new addition to the Brooklyn show that wasn’t at the de Young: throughout the trip, Rousmaniere called attention to pages from Taniguchi’s brief manga A Century Lineage (from the anthology To Own a Dog and Also a Cat. Unpublished in English, this psychological story opens with a lady required to desert her starving pet amidst World War II rationing. The woman and the pet dog reunite after the war, and the pet goes on to have pups, beginning the titular “family tree.”
On the other hand, some things from San Francisco didn’t make it over here. Where the de Young’s “ONLY ONE PIECEspace showcased a full-blown printing press in an exhibition on the manga publishing procedure, here we just get a video setup detailing that procedure.

© Eiichiro Oda/Shueisha
The most fascinating brand-new addition isn’t technically part of the exhibit itself, however the location right before you stroll in: a collection of conventional Japanese art from the museum’s collection arranged as “Manga Before Manga.” It’s interesting to see how the type of comics emerged– a few of the ukiyo-e prints and emaki scrolls even reveal the development of word bubbles. The curatorial notes connect older pieces to the manga in the primary display. Kawanabe Kyosai’s funny warring frogs play as precursors to Fujio Akatsuka‘s Beshi, the frog character utilized as the “Art of Manga” mascot, while Utagawa Kuniyoshi’s woodblock of folk hero Kaidomaru parallels numerous a shonen lead character. I can quibble consisting of a Sekini Junichiro print from 1976 in an exhibition expected to be “before manga”– that’s more recent than the majority of the Akatsuka and Tetsuya Chiba pieces utilized in the exhibition’s intro– however it’s a lovely image that operates in contrast with Yoshinaga’s styles in Ōoku
Keep in mind that while close-up photography is allowed this pre-exhibit location, images within “Art of Manga” should be drawn from some range from the art work, and video is forbidden. The Brooklyn Museum does not hold set”Cosplay Days” like the de Young (beyond its Halloween celebration), it motivates cosplay throughout the exhibition’s run.
Art of Manga at the Brooklyn Museum is open from October 3, 2026 to January 31, 2027.
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