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She declined the features of superstardom in order to stabilize a flexible profession with a satisfying off-screen domestic life.
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Adam Bernstein, The Washington Post
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Eva Marie Saint, who won an Academy Award for her movie debut as the convent-bred love interest of dock worker Marlon Brando in “On the Waterfront,” and later redefined herself for audiences as the chic seductress of fugitive Cary Grant in “North by Northwest,” died Oct. 6 at her home in Los Angeles. She was 102.
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Her death was announced in a statement shared by publicist Jeff Sanderson, which did not cite a specific cause.
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A multifaceted actress, Ms. Saint combined the luminous dazzle of a fashion model with the subtle and textured depths of a seasoned dramatic performer. She drew the admiration of some of the biggest directors of the 1950s and 1960s, including Alfred Hitchcock, Elia Kazan, John Frankenheimer and Otto Preminger, but refused the trappings of superstardom in order to balance a versatile career with a fulfilling off-screen domestic life.
After her Oscar triumph in “On the Waterfront” (1954), Ms. Saint delivered a series of finely etched performances in comedies (“The Russians Are Coming, the Russians Are Coming”), historical epics (“Exodus”), domestic dramas (“A Hatful of Rain”), romantic tragedies (“Raintree County,” “All Fall Down”), adventure fare (“Grand Prix”) and a wartime suspenser (“36 Hours”). She played despondent young women, alluring companions and steadfast wives.
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She had a recurring role as Cybill Shepherd’s mother in the mid-1980s ABC detective series “Moonlighting” and appeared in dozens of made-for-TV films, winning an Emmy Award for her supporting role as a coldhearted dowager in “People Like Us” (1990), an NBC miniseries based on a Dominick Dunne novel.
She said she owed her professional stature and longevity to the advice of an early mentor, the actress Lillian Gish: “You know how to stay young? Go with the flow. It’s today and tomorrow, and don’t get cranky.”
Ms. Saint broke into TV work in the late 1940s in large part because of her stunning looks; in college, classmates had voted her Sweater Queen. Her features masked an innately subtle but resourceful style that made strong impressions on critics in the days of live television productions.
She appeared in dozens of such teleplays, including a musical TV version of Thornton Wilder’s stage drama “Our Town” co-starring Frank Sinatra, and was widely promoted as the “Helen Hayes of Television,” referring to the masterful stage actress. Kazan then selected her for a star-making role in “On the Waterfront,” a scathing examination of corruption and conformity.
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Eva Marie Saint, who won an Academy Award for her movie debut as the convent-bred love interest of dock worker Marlon Brando in “On the Waterfront,” and later redefined herself for audiences as the chic seductress of fugitive Cary Grant in “North by Northwest,” died Oct. 6 at her home in Los Angeles. She was 102.
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- Support local journalists and the next generation of journalists.
- Daily puzzles including the New York Times Crossword.
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Her death was announced in a statement shared by publicist Jeff Sanderson, which did not cite a specific cause.
Article content
Article content
A multifaceted actress, Ms. Saint combined the luminous dazzle of a fashion model with the subtle and textured depths of a seasoned dramatic performer. She drew the admiration of some of the biggest directors of the 1950s and 1960s, including Alfred Hitchcock, Elia Kazan, John Frankenheimer and Otto Preminger, but refused the trappings of superstardom in order to balance a versatile career with a fulfilling off-screen domestic life.
After her Oscar triumph in “On the Waterfront” (1954), Ms. Saint delivered a series of finely etched performances in comedies (“The Russians Are Coming, the Russians Are Coming”), historical epics (“Exodus”), domestic dramas (“A Hatful of Rain”), romantic tragedies (“Raintree County,” “All Fall Down”), adventure fare (“Grand Prix”) and a wartime suspenser (“36 Hours”). She played despondent young women, alluring companions and steadfast wives.
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She had a recurring role as Cybill Shepherd’s mother in the mid-1980s ABC detective series “Moonlighting” and appeared in dozens of made-for-TV films, winning an Emmy Award for her supporting role as a coldhearted dowager in “People Like Us” (1990), an NBC miniseries based on a Dominick Dunne novel.
She said she owed her professional stature and longevity to the advice of an early mentor, the actress Lillian Gish: “You know how to stay young? Go with the flow. It’s today and tomorrow, and don’t get cranky.”
Ms. Saint broke into TV work in the late 1940s in large part because of her stunning looks; in college, classmates had voted her Sweater Queen. Her features masked an innately subtle but resourceful style that made strong impressions on critics in the days of live television productions.
She appeared in dozens of such teleplays, including a musical TV version of Thornton Wilder’s stage drama “Our Town” co-starring Frank Sinatra, and was widely promoted as the “Helen Hayes of Television,” referring to the masterful stage actress. Kazan then selected her for a star-making role in “On the Waterfront,” a scathing examination of corruption and conformity.
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The drama was a status job all the method: Brando was among the greatest stars worldwide and Kazan his behind-the-scenes equivalent. Author Leonard Bernstein’s rating matched the movie’s gritty realism, and film writer Budd Schulberg contributed a few of the most unforgettable discussion in film history, consisting of Brando’s” I coulda been a competitor”soliloquy.
Brando played Terry Malloy, a punched-out prizefighter and muscle for the corrupt union managing the waterside. He succumbs to Edie Doyle, the angelic more youthful sibling of a union dissident whom Terry unsuspectingly establishes to be eliminated.
Ms. Saint was 30 at the time, possibly on paper too old to play Edie. Kazan picked her anyhow, for her capability to communicate heartbreaking poignancy, desire and strong-willed conscience– and since she might equal Brando’s improvisational method.
She informed the Houston Chronicle years later on:”To see if there were vibes in between Marlon and myself, he put us in a space, and he whispered to me,’ Eva Marie, you’re home alone, and your sis’s partner is coming. Do not let him in your home.’ Here comes charming Marlon, knocking on my make-believe door, and I did whatever possible to prevent him. And in some way he got in the space, and we began talking, and he put the radio on, and we began dancing. The stimulates simply flew. “
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As Edie, Ms. Saint needed to light up a character who watches out for male complete strangers however drawn to Terry’s brawny sexual danger. She stated that while practicing a scene in which Terry is on the make, she inadvertently dropped a white glove. Rather of returning it, Brando puts it on his left hand.
“It ended up being the driver that discussed why I stuck with him in the park, and didn’t leave previously,”Ms. Saint stated.
The dropped glove turned into one of the film’s most well-known series, a throwaway gesture turned minute of discovery.
“In casting Eva Marie Saint … Mr. Kazan has actually created a quite and blonde craftsmen who does not need to depend upon these qualities,”New York Times movie critic A.H. Weiler composed.”Her parochial school training is no bar to like with the appropriate complete stranger. In the middle of scenes of carnage, she provides inflammation and level of sensitivity to real love. “
In addition to Ms. Saint’s win for finest supporting starlet, the movie got the Oscars for finest photo, finest director, finest star(Brando), finest story and movie script, and awards in technical classifications.
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Hitchcock offered Ms. Saint with the 2nd fantastic function of her profession, as a classy siren in the enduringly popular “North by Northwest”(1959). Grant played a New York adman on the follow being incorrectly implicated of devoting a political assassination– and who can’t think his luck when he fulfills Ms. Saint’s Eve Kendall in the dining vehicle of a train.
In a scene of wit and sexual charge, she uses her compartment as a hiding location.”It’s going to be a long night,”she lures.”And I do not especially like the book I’ve begun. You understand what I suggest?”
Ms. Saint later on stated that while recording a subsequent kissing scene, she primarily was worried about not stepping on Grant’s feet.
“It’s nearly like a little dance, that’s the method Hitch desired it done,” she informed the San Francisco Chronicle“And the still [photographer] from the studio was on a ladder, taking photos, and he got so associated with the sex scene that he fell off the ladder. He wasn’t injured, however we needed to do it once again. Which wasn’t hard, kissing Cary Grant.”
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Eva Marie Saint was born in East Orange, New Jersey, on July 4, 1924, and was raised in Delmar, New York, to a Quaker household that motivated her interest in acting.
She finished in 1946 from Bowling Green State University in Ohio and relocated to New York, where her photogenic appeal rapidly brought her a spread in Life publication about the life of a having a hard time young starlet.
Live tv was her crucial training school, a location where she discovered to keep concentrated in the middle of inescapable incidents. On the series “One Man’s Family,” she was being in a tank of water for a swimming pool scene when a stagehand started desperately pulling his t-shirt up and down to call her attention.
“I looked down and my boobies were revealing coast to coast,” Ms. Saint informed the Los Angeles Times in 2014. “I simply kept in the scene and moved under the water. What else could I do? It was live tv. To this day, all of these years later on, somebody will state to me, ‘Miss Saint, you were doing “One Man’s Family”‘ … and I’ll state, ‘Yes, I keep in mind.'”
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Her advancement was available in the 1953 teleplay and Broadway productions of Horton Foote’s drama “The Trip to Bountiful” as a soldier’s young better half and taking a trip buddy to a widow played by Gish. Kazan was smitten by the special of Ms. Saint’s efficiency and employed her for “On the Waterfront.”
Ms. Saint two times played opposite Bob Hope, in “That Certain Feeling” (1956) and “Cancel My Reservation” (1972 ). She was the pregnant better half of an addict (Don Murray) in “A Hatful of Rain” and the disposed of sweetie of Montgomery Clift whose loses him to Elizabeth Taylor in “Raintree County” (both 1957).
In “Exodus” (1960 ), based upon the Leon Uris unique about the development of the state of Israel, Ms. Saint was an American widow who ends up being romantically included with a Jewish resistance leader combating the British in Palestine (Paul Newman). She was a despairing girl who conceives by a ne-er succeed (Warren Beatty) in “All Fall Down” (1962 ).
Ms. Saint likewise started a run of partner functions opposite Richard Burton (“The Sandpiper,” 1965), Carl Reiner (“The Russians Are Coming, the Russians Are Coming,” 1966) and George Segal (“Loving,” 1970) before releasing a consistent profession in television films. Ms. Saint might still hire her wiles, significantly as the fan of a married Italian racecar chauffeur (Yves Montand) in “Grand Prix” (1966 ), a movie finest kept in mind for its amazing race series in Monte Carlo.
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Her late-career movie work consisted of “Nothing in Common” (1986 ), as the mom of Tom Hanks and better half of the carousing Jackie Gleason, and “Superman Returns” (2006 ), as the adoptive mom of the Man of Steel (Brandon Routh).
She was wed for 65 years to Jeffrey Hayden, a tv director and manufacturer, till his death in 2016. Survivors consist of 2 kids, Darrell and Laurette Hayden; 4 grandchildren; and 2 great-grandchildren.
Ms. Saint stayed a sprightly public existence recently. When asked to think back, she concentrated on the enjoyable side of complex characters. Brando was “lovable, however a little frightening.” Beatty was incorrigible however lovely, constantly asking her, “Are you actually gladly wed?”
She discovered Preminger naughty. While recording a kissing scene for “Exodus,” he excoriated Newman’s strategy and continued to buss Ms. Saint as he desired it done.
“All the time, I was taking a look at Paul,” she informed a TCM event. “Uh-huh. As if Otto Preminger is going to reveal Paul Newman how to kiss.”
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