Feature: object blue

A creative intervention from the pages of Fact’s print edition, developed by item blue and Natalia Podgórska.

Together, artist things blue and visual artist Natalia Podgórska have actually constructed their own world from the within out– an universe produced through the story that object blue is the ‘source of info that later on develops life. ‘Their universe, which takes type in this special creative intervenion for Truthis things blue’s 3rd partnership with her other half and imaginative partner, following FIGUREBESIDEME (2019) and Grotto(2021 ). Through things blue’s music and Podgórska’s accompanying visuals, the set are on an objective to reveal the routines that perpetuate the indisputable cycle of life and death.

This function was initially released in Fact’s F/W 2021 problem, which is readily available to purchase here

item blue’s heavenly macrocosm is stuck in a consistent procedure of transformation. Podgórska shapes her world, piece by piece, investing hours building sonically processed images that imitate acoustic waves and presume the type of fungal structures, crystals and reef that grow and inhabit the land.

This design comes from Podgórska’s interest in group visual appeals and palpable 3D graphics that link colour and texture to symbolise development. In the set’s world, small, complex vines bind with crystalised clusters to form mathematical structures that collect to develop a series of communities.

In the opening scene for the sci-fi scary movie Prometheus (2012), a pale-bodied humanoid alien consumes a black, ink-like service in a routine that will compromise his presence in exchange for life in the world. Upon intake, the dark and lethal fluid courses through the alien’s veins, its journey noticeable underneath his clear skin. The animal’s body starts to shatter, fracturing into splintering pieces as his DNA breaks down. His extraterresrial body is torn apart, limb by limb, as he falls under the waterfall listed below.

In the water, hairs of his DNA disperse and after that swirl with the water’s circulation, reconnecting to produce a brand-new type of life in the world that will bring to life humanity. The facility of the movie, which was the primary motivation for things blue and Podgórska’s initial contribution of the F/W 2021 problem of Truthis that in order to produce, often you need to initially damage.

Throughout the set’s visual chronicle, things blue’s environments and clothing break down. Each garment, in its initial type, begins as a more stunning, comprehensive piece before slowly liquifying and rotting with time, ultimately ending up being disrobed and flesh-like as the threads bind with their host and surrounding environment.’The more my body breaks down, the more sophisticated the environment ends up being, as if one world is being finished,’ object blue discusses.

At the last of the cycle, item blue has actually concluded the shedding procedure. She is covered in a single layer of torn, knitted material that is ridden with holes, on the other hand with the bed of roses underneath her. Here things blue reaches what Podgórska calls the ‘Goddess’ phase, comparing things blue’s look in the last to her post-gig aura– radiant, transcendent, and radiating complete satisfaction. ‘It’s a transcendental procedure, ‘object blue admits, referencing carrying out.’ I’m the very best variation of myself when I’m making music. Absolutely nothing can touch me.’

This function was initially released in Fact’s F/W 2021 concern, which is readily available to purchase here

Intro Claire Mouchemore
ART DIRECTION Natalia Podgórska

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