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October 14, 2026
The poet composed for The Nation for years, constantly showing conscience and prescience.

The cherished poet and author Wendell Berry died this summer season at the age of 92. In an essay in The Nation in 2019, Jedediah Britton-Purdy observed that Berry was among those unusual figures who got favorable attention in both left-leaning journals like Dissent and right-leaning ones like The American ConservativeHe admired Berry for composing “versus all kinds of violence and damage– of land, neighborhoods, and humans.” Through all of Berry’s work, Britton-Purdy composed, ran a constant note of “applaud for what he appreciates: the peaceful, primarily uncelebrated labor and love that keep the world whole and may still redeem it.”
Beginning in 1961, Berry contributed more than 2 lots poems, essays, and book evaluations to The NationOnce again and once again in his work, Berry observed that a healthy democracy depended upon a healthy land, and vice versa. He constantly made his case in classy, clear, and engaging language and with homemade good sense. Amongst his very first Country contributions was a poem that ran in December 1963, a month after John F. Kennedy’s assassination. It started: “We understand the winter season earth upon the body of the young President, and the early dark falling …”
2 years later on, Berry released “Strip-Mine Morality: The Landscaping of Hell,” an essay that narrated a popular battle in his native Kentucky to prohibit strip-mining for coal. Berry was surprised by the coal business’ arguments, which showed “the apparent ramification that anything can be validated by revenue,” in addition to the “presumption that the high mountain sides, now being messed up on a nearly amazing scale and at fantastic speed, benefit absolutely nothing else.”
No other author has so completely penetrated the effects of that presumption, both on the land itself and on the nationwide character.
In his homage, Britton-Purdy called The Unsettling of America Berry’s “most long-lasting work of nonfiction.” Because book, which started as a Country essay, Berry argued that American farming had actually traded soil-renewing practices for a strictly extractive design. Even wind or solar power, he forecasted, would not fix the alienation of labor and the vacuum of modern-day life. “We will not discover those responses in Washington, D.C., or in the labs of oil business,” Berry composed. “In order to discover them, we will need to look closer to ourselves.”
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