Ben Kenney on visiting with a brain growth in Incubus– and why he will never ever hear stereo guitars once again

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Ben Kenney of Incubus performs at Manchester Apollo on November 9, 2011 in Manchester, England19459003]src=”https://i0.wp.com/media.pmnsports.co.uk/2026/09/localimages/3mEj7Hw9tSKWrN2kTGzg6U.jpg” data-pin-media=”https://i0.wp.com/media.pmnsports.co.uk/2026/09/localimages/3mEj7Hw9tSKWrN2kTGzg6U.jpg” data-pin-nopin=”true”fetchpriority=”high” data-component-name=”Image”>

(Image credit: Shirlaine Forrest/WireImage/Getty Images)

After fighting a bout of carpal tunnel syndrome and tendonitis and questioning whether he would even have the ability to play any longer, previous Incubus bassist Ben Kenney believed he was moving into a much better chapter of his life.

He quickly saw he was beginning to lose a “load of hearing”on his ideal side.

“At this time, I’m in my mid-40s. I’ve been standing beside a bass [cab]8×10, for 20 years. Turned all the method up. I’m simply losing my hearing, “he informs Guitar WorldOr two he believed.

“Then I began feeling sluggish and lightheaded, and I resembled, ‘No, that’s a little strange. Getting old draws. Getting old, male … ‘And then my face began to go numb, which was when my spouse resembled, ‘We got to get you figured out. We got to find out what’s up.’

“I went through simply an entire experience. Like, anybody that’s gone through it understands that you got to speak with numerous physicians till somebody informs you the reality. And I discovered a fantastic physician in L.A.”

Ben Kenney (Incubus, The Roots) on losing his hearing, leaving Incubus and his brand-new rig – YouTube

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The expert notified him that he had a brain growth. Surprised, he collected every ounce of strength to continue.

“I’m on trip. I think, 2022. I have the understanding that I may have a brain growth? I didn’t inform no one. I was simply frightened, definitely horrified. What does a brain growth do? And on the other hand, this ear is simply gradually turning all the method off. I require both ears to actually discover where pitch is.”

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When he returned home from trip, the cosmetic surgeons handled to eliminate his growth effectively, however not without problems.

“I lastly speak with my brain cosmetic surgeon, and he’s like, ‘Yeah, you’ll live. You’ll be great. You are going to completely lose your hearing on the best side. It’s never ever going to return due to the fact that it’s currently ruined, and the nerve is dead. Other nerves will recover. That a person’s gone. Your face might be paralysed for the rest of your life …’ Like this entire shopping list.”

When it comes to Kenney, he was ravaged that, “I’m never ever going to hear stereo guitars once again, and hear that gorgeous harmonic haze … that thing is a memory for me now, which’s a little bittersweet.”

Even through all this experience, Kenney, who chose to step away from Incubus however is now back on the roadway with his solo task, is fast to point out the silver lining.

“The thankfulness resembles … take a look at what I’ve gotten to do. Take a look at what I’ve gotten to hear. Like, I could, if all my expenses were paid, and whatever, I never ever needed to fret about anything ever once again, I might stop and resemble, ‘You did the important things. There’s absolutely nothing more to go after.’

“You understand, if this ear [his other ear] quiting working– which, with the quantity of music that I’ve been around, the quantity of drums I’ve been around, I’m most likely going to have a tough time hearing out of here– I’m great. I’ve gotten to get more out of music than any person.”

You can enjoy Guitar World‘s complete interview with Kenney above.

Janelle is a personnel author at GuitarWorld.com. After a long stint in symphonic music, Janelle found the delights of playing guitar in run down locations at the age of 13 and has actually never ever recalled. Janelle has actually composed thoroughly about the crossway of music and innovation and how it is forming the future of the music market, and has an unique interest in shining a spotlight on typically underrepresented artists and international guitar noises. She likewise had the enjoyment of talking to Melissa Auf der Maur, Yvette Young, Danielle Haim, Fanny, and Karan Katiyar from Bloodywood, to name a few. When she’s not composing, you’ll discover her developing layers of scrumptious audio lasagna with her Anglo-Maltese, art-rock band ĠENN


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