Technology news
The 8K 60 fps frame rate is great, however the exchangeable lenses are the hot brand-new function for an action video camera.
Steve Dent for Engadget
- Sharp 8K 60 fps is the greatest frame rate for 360 video cameras
- Exchangeable lenses
- Enhanced low-light video and vibrant variety
- Functions with DJI’s mics and devices
- Great style and managing
- DJI Studio app still requires work
- Soft video compared to routine action webcams
- No United States accessibility
DJI’s Osmo 360 was a strong very first shot at a scenic action web cam, however simply over a year later on it currently has actually a follower developed to take on its primary competitor, the Insta360 X6. The brand-new Osmo 360 II has some little however welcome enhancements over the initial, like greater frame rates, enhanced vibrant variety and much better low light ability. And unlike the initial Osmo 360, it has lenses that can be changed if you harm them while doing the penalizing activities this cam was developed for.
As it did in the past, DJI priced this at EUR589($ 680), well listed below the Insta360 X6’s EUR699 sticker labelThe most significant issue is that unlike its main competitor, the Osmo 360 II isn’t offered in the United States. That’s regrettable, due to the fact that the enhancements in video quality are really visible when you’re shooting in brilliant sunshine or a city nightscape.
Style and functions
The Osmo 360 II has an ultrawide lens and 1/1.1 -inch 8K square sensing unit on both sides, so it can “see” whatever around it. Each electronic camera records a 180-degree view, which is sewn together in-camera to develop a 360-degree video. While modifying, you can then select any angle you desire. Throughout the export, video is “de-warped” or flattened to develop a square video at approximately 4K resolution, or you can export 360-degree video
. You can likewise record 120-megapixel scenic still pictures.
The brand-new design has the exact same style as its predecessor, with a squarish shape that’s thicker, larger and much shorter than the Insta360 X6. There’s a brilliant 2-inch, 314 x 556 touch screen at the back in addition to an electronic camera view (forward or in reverse) and record button listed below. On the best side is the power button and USB-C adapter tucked into a water resistant compartment, and the best side has a compartment for the battery and a microSD card slot.
Steve Dent for Engadget
You will not always require a memory card. The Osmo 360 II is geared up with the exact same 105GB of internal storage as previously, more than double the 47GB on the Insta360 X6. USB-C transfer speeds are the very same at 600 MB/s, compared to 450 MB/s for the X6. With great cable televisions and a quick external drive, I moved 20GB of files (8.2 minutes of video) in about 32 seconds.
The Osmo 360 II includes a brand-new 2,150 mAh battery, up from 1,950 mAh previously, that’s suitable with DJI’s other action webcams. It’s ranked for 100 minutes of 8K 30p shooting, simply like in the past, I was able to eke out 105 minutes or so. The cam likewise charges considerably quicker, from 0 to 100 percent in 39 minutes, compared to 91 minutes for the initial. Both charging speeds and battery life are less than the Insta360 X6, which can go 140 minutes in between charges at 8K 30 fps and completely charge in 35 minutes.
An essential brand-new function is NFC tap-to-connect. DJI’s Mimo app often stops working to discover the business’s action cameras over Wi-Fi, however you can now tap your phone to the Osmo 360 II which handshake will take place immediately. It worked flawlessly in my screening.
With the Osmo 360, a harmed lens indicated you needed to send out the video camera back to DJI. You might attempt to change it yourself, however that’s a janky procedureNow, switching brand-new ones in is simple and affordable. DJI offers exchangeable lenses for EUR39 ($45) a set in a package that consists of a tool to eliminate and install them, in addition to directions, a blower to clean up the sealing location, a suction cup to manage the old lens and brand-new gaskets. I attempted it myself and had the ability to alter one in under 5 minutes, so this video camera’s repairability is now far better, and on par with the Insta360 X6.
Video and audio
With the upgrade, the video camera can now tape 8K 360 video at approximately 60 fps rather of 50 fps, and 4K at 120 fps, up from 100 fps. As previously, it supports 10-bit D-LogM and HDR capture in HLG mode, however not Dolby Vision like the Insta360 X6. DJI states it increased vibrant variety from 13.5 to 14.5 stops. A brand-new AI noise-reduction algorithm called SuperNight 2.0 is created to enable greater ISO settings, and hence greater shutter speeds during the night to minimize movement blur. It even has a devoted setting under the “Stabilization Scenarios” menu setting called “Anti-motion Blur.”
To validate those claims, I checked the Osmo 360 II in a number of various situations. One was a bike trip on a warm day to see if I might tease out more shadow and brilliant light information.
In another, I checked it on Paris streets during the night, installed straight to the bike’s handlebars to check RockSteady 3.0 stabilization with pavement vibration. I utilized both the routine video mode and SuperNight 2.0(with and without Anti-motion Blur)to see the distinction.
The outcomes were excellent. In daytime, the additional vibrant variety was obvious, with more information readily available in both shadows and highlights. That additional latitude enabled me to output dynamic, punchy video and do some imaginative color correction. DJI’s video cameras have actually constantly produced color-accurate video, which was likewise on display screen here with human topics, greenery and cityscapes.[
During the night, the SuperNight 2 setting did enhance movement blur problems by enhancing shutter speeds somewhat, while likewise removing much of the “plastic” result on individuals triggered by the previous design’s aggressive AI sound decrease. I discovered the ideal balance in between image quality and stabilization utilizing SuperNight 2.0 with the Anti-Motion Blur circumstance. While some artifacts existed at that setting, it wasn’t sidetracking and permitted an intense direct exposure.
I likewise attempted it during the night in scenic mode. I set direct exposure to “manual” with a high ISO setting, fairly high 1/160th shutter speed and the “anti-flicker” setting allowed to lower synthetic light strobing. This worked best to remove movement blur triggered by the stabilization, and permitted me to use sound decrease later on in post for great outcomes, though video footage was darker than when utilizing SuperNight 2.0. In general, the Osmo 360 II produced a few of the very best low-light video I’ve seen on any action camera.
As in the past, image quality suffers in one essential location. Even with 8K 360 resolution, the Osmo 360 is plainly less sharp than DJI’s Action 6 Pro after conversion to 4K flat video. After evaluating it with resolution charts, I ‘d rank it as someplace in between 1080p and 4K in the center, and around 720p at the edges.
Sewing can still be an issue too, with some artifacts present at specific angles, however less than I’ve seen with the Insta360 X6. This validates to me that the tourist attraction of the Osmo 360 II is the capability to change angles, and not the general video quality.
The Osmo 360 II provides a couple of other functions, consisting of the brand-new 16K Timelapse function (up from 8K before) and subject tracking at approximately 4K 30 fps. There’s likewise a “Vortex” mode that operates at 8K 120fps, offering you a trippy (however not extremely helpful) snap roll result.
The audio system is the exact same as in the past, with 4 internal mics to catch ambient noise and in-camera wind decrease that I discovered efficient for bike trips. It can likewise link instantly to DJI’s most current mics, consisting of the Mic 3, Mic 2, Mic Mini 2S, Mic Mini 2 and Mic Mini. Those permit clear, practical voice audio and can likewise tape internally to offer a backup. Both Insta360 and GoPro now provide their own cordless mic systems now, too.
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<h2 class>Modifying</h2>
<picture id="pfd1ccd24193cbbaa53cdc575787b925b"> <source media="(min-width: 429px)" type="image/webp"> <source media="(max-width: 428px)" type="image/webp"> <img src="https://i0.wp.com/media.pmnsports.co.uk/2026/09/localimages/editing-1789565445.jpg" data-slide-url="https://www.engadget.com/2260043/dji-osmo-360-ii-review/" data-post-id="2260043" data-slide-num="3" data-slide-title="technology news DJI Osmo 360 II review: A little more video power, a lot more repairability: Editing" width="780" height="438" alt="technology news DJI now has a plug-in for DaVinci Resolve that lets you manipulate the camera angle, field of view and more"> <img src="https://i0.wp.com/media.pmnsports.co.uk/2026/09/localimages/editing-1789565445.jpg" data-slide-url="https://www.engadget.com/2260043/dji-osmo-360-ii-review/" data-post-id="2260043" data-slide-num="3" data-slide-title="DJI Osmo 360 II review: A little more video power, a lot more repairability: Editing" width="780" height="438" alt="DJI now has a plug-in for DaVinci Resolve that lets you manipulate the camera angle, field of view and more">
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<span>Steve Dent for Engadget</span>
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Modifying is still a discomfort point for the Osmo 360 II. DJI's Studio app can deal with easy tasks, letting you alter and keyframe video camera angles or do 360-specific cam relocations. It likewise enables standard color correction and titles, then lets you output your last video in either flat or complete scenic formats.
It’s not extremely user-friendly and does not have essential functions like comprehensive color correction, impacts and advanced titles. DJI Studio is likewise behind its primary competitor, Insta 360 Studio.
DJI did present a brand-new plugin for DaVinci Resolve called DJI Reframe. To utilize it, you initially export the native DJI OSV 360 files as MP4 breathtaking files utilizing the DJI Studio app. You can import those into Resolve and use the DJI Reframe plugin to change or keyframe the cam angle and alter the forecast to Dewarp, Ultrawide and other settings.
That provides you the power of Resolve for color correction and other tasks, however the exporting procedure is still unpleasant and minimizes image quality. Preferably, Blackmagic Design and Adobe must deal with DJI (in addition to Insta360 and GoPro )to support native OSV and other file formats and get rid of the export action.
Wrap-up
With its most current updates, DJI’s Osmo 360 II is a powerful competitor to the Insta360 X6. Image quality has to do with as great as it can be provided the constraints of 360 video. DJI has actually solved my primary grievance with the previous design: the extreme movement blur brought on by stabilization in low light. The additional vibrant variety likewise makes it much easier to change shots in post.
Like other 360 designs, the Osmo 360 II’s video still looks soft compared to routine action electronic cameras, though quality is really comparable to its primary competitor. Those video cameras accumulate really carefully in other locations, however the Osmo 360 II has more storage, somewhat greater 360 frame rates and a more affordable rate, while the Insta360 X6 has much better battery life.
If you reside in the United States, there’s no choice to be made, as the Insta360 X6 is readily available in the United States and the Osmo 360 II is not. If you’re in Europe, Asia and somewhere else, however, it’s a fantastic 360 electronic camera choice, providing fantastic image quality and specifications for its classification. It’s now on sale for ₤ 509 in the UK or EUR589 ($680) in Europe, while the Adventure Combo with additional batteries, a battery charger and a case will run ₤ 639 and EUR739 in the EU.
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